Pine Grove/Stones

The making of this quilt goes back more than two years. Here's the story of the front.
And some details:

Both top and back have been finished for close to two years, but then I couldn't decide how to quilt it. I considered many different approaches. After finishing the simple straight line quilting a few weeks ago on the half-square triangle "Magenta and Friends," I realized something that simple would also be a good solution for this quilt. It took me a while, but I think this was a good decision!

Here's the back of the quilt. I had to line up the quilting by the seams on the front of the quilt, and I was worried about how they then wouldn't line up precisely on the back. They don't, but it still looks fine.

More of the story about the back continues here.

Some details: First, one of the blocks from the very beginning:

And here's an example of the larger stones sliced up--this may be my favorite spot in the quilt:

Here's another small quilt that involved cutting up stones.

This quilt is going to my brother, a potter. He has made beautiful ceramic stones.

And here are a few of his wood-fired pots:

I will miss this quilt, but I know it is going to a good home!

A week of work

Here are the results of a week of fabric dyeing, six separate sessions and about 40 half-yard pieces of fabric. I'm pleased with the results--both in the fabric created and in the figuring out of a personal routine for the process of dyeing. I've had enough success to feel confident about doing more, and I usually understand why one or another piece missed the mark.

My main focus was to create fabric for a quilt version of a pastel piece I did a couple of years ago at a mixed-media workshop at Arrowmont (each rectangle is a 9x12 piece of pastel paper, covered with layers of pastel):

(More on this workshop and other non-quilt work produced there in this post, on another blog I contribute to.) Here are the fabrics most likely to go into the quilted version, two different shots:


I think I'm going to try one version using the fabric just as it is, and then another version in which I add painted layers to the rectangles, to get more variation in hue/value across each piece.

Along the way, I also created the beginning of a stash of hand-dyes for further quilts in the "Pine Grove" palette, which is close to the landscape palette, but more far-reaching. So, happily, virtually everything that is rejected for the landscape project can be included in the pine grove pile. Almost all of these landscape and pine grove fabric pieces are flat-dyed solid (as explained in the previous post). I also did three pieces of grey mottled fabric in a value parfait (according to Ann Johnston's instructions in Color by Accident), intended as fabric for stones:

And I tested out a couple of small pieces of linen (flat-dyed solid) to use as background for appliqued stones. (Double-click to enlarge, so you can see the texture here--quite nice!)

Now I plan to take a week off from dyeing. I'd like to cut rectangles for the landscape quilt, to see if I need other greens, and I'll also select further colors for the pine grove palette, adding in a variety of teals, some bronze-reds, and more gold.

Genealogy of a Quilt-2

Back in this post I wrote about a quilt top pieced with rectangles that combined fabric from two ideas--thinking about a pine grove and about stones. Over the last few days I've pieced a back for that quilt. I incorporated the stone-blocks in the back, and decided to slice through the largest ones (that looked more like dinosaur eggs than stones). The photos above show details. Here's the full back:
I like it.

Genealogy of a Quilt

Not only did I need a break from the concentration of working on Shelter, I also needed something easier to balance the intense work I'm doing for my job this summer. So, I spent a week or so piecing this top, made up of rectangles of various sizes that I had cut for another project, since abandoned. It was just the right thing to be doing--playing with colors and placement, but not a lot of intricate planning or sewing needed. Here's the story of how I happened to have all these rectangles on hand. They have their origin in two different ideas.

This little maquette (12x12") dates back to 2005--my first attempt at abstraction. My intention was to evoke the feeling of a very quiet place at the summer camp that I attended as a child, the "Pine Grove." Away from the busy-ness and activities of camp life, this was a place further down the lake, a walk down the road, a place where you could sit along amongst the pine trees, hear the lapping of the water, and just be by yourself, quietly, for a while. I don't know that I'll ever make this into a quilt, but when I saw solid fabrics in related colors, I would buy a half-yard or so. A few years ago, I started thinking about working with images of stones, and my eye was caught by a pattern in Jean Van Bockel's book, Meadowbrook Quilts: 12 Projects Inspired by Nature. Her model used mottled fabric for the stones and various beige fabrics for the backgrounds. I started out trying everything in solids, including a wider range of colors for the backgrounds:

But I thought these looked like dinosaur eggs, rather than stones, so I bought a lot of quarter-yard pieces of fabric that had stone-type textures and tried out several blocks with those:

This was better, but I didn't like it enough to go on, and I eventually went in another direction with the idea for stones, painting my own fabric and working with other sorts of compositions. That left me with a large number of solid rectangles cut up--some from the "pine grove" fabric and some purchased to fill out a palette for the background to the stones. About a year ago I used some of the rectangles to make this hanging, about 28x40:

It hangs on the wall above my computer at work, and is a welcome restful spot for my eyes. Then a couple of weeks ago, I went back to the box full of rectangles, and I made the top at the beginning of this post--about 48x56 or so. Finally, I used up the last remaining rectangles making three place-mat sized pieces. I'll use these to test out possible quilting designs for the larger piece, and then have them for placemats afterwards:

And what about all the leftover "stone"-type fabric? Perhaps I'll use that for the back of the quilt, along with the abandoned blocks.