More about the hand-stitching

I usually have at least one project in progress, set up by the comfortable couch in our living room.  Right now, I'm working on the hand-quilting that I'm adding to the machine stitching on the shot cotton quilt.  A sign of how pleasurable this work is:  I have found myself thinking that I don't want to finish the quilt quickly, so that I continue to have the stitching to do.  I love choosing each new color as I move from square to square.

 And I love seeing how the thread looks on the two different rectangles in the square.  Simple pleasures.

 

At this point, I'm about half-way done with the hand-quilting. 

Tray dyeing and some quilting decisions

To make a backing for my shot cotton "Spectrum" quilt (see here and here), I decided to experiment with tray dyeing, a method of getting multiple colors on one piece of fabric that I hadn't tried before.  I've very happy with the results.  I picked up three color samples at the paint department of Lowes, and then used my swatch book from Carol Soderlund's class to match up a dye formula.   As you can see below, I got very close indeed! 

I was especially pleased because the dyeing circumstances were not ideal.  My dye concentrates were a couple of months old, including two weeks not refrigerated.  I did the dyeing in the basement, with an ambient temperature of about 58 degrees.  Many dyers don't do dyeing if they can't get the temperature up to 70 or warmer, but this convinces me that colder temperatures work just fine.  I did leave the dye on the fabric for 24 hours before washing out; if it had been warmer, I could have done a wash-out after four hours.  The other not-ideal factor was that I was using a fabric that doesn't take up the dye as well as the standard fabric I use for dyeing, so I just eyeballed putting in more dye on the lighter two colors; the darker blue looked fine when wet, and it did turn out dark enough.  The photo below shows my dyeing set up.  I happened to have a couple of long flat cardboard boxes from the butcher.  I cut out one end of each and taped them together into a long tray, then lined it with heavy plastic.  I doubled over the fabric, so the dark blue ended up in the center and the green on both ends.  I didn't intend for any white areas to be left, so I'll be more careful with that the next time.  I stapled the plastic down in the cardboard to have a smooth surface.  Unfortunately, that mean that some dye leaked through.  The cardboard is too warped to use again, and I messed up the surface of the pingpong table.  Well, live and learn.  There are a couple of other options for trays that I can try the next time I want to use this technique.

 Once I had the back sandwiched to the front, the next decisions were about quilting.  I decided to do straight-line quilting in two directions. (Click on this and other photos to see larger.)

This seemed not enough to me, but I didn't want to put more lines of machine stitching on the quilt--too harsh for the softness of the shot cotton.  After a number of different trials, I decided to hand-quilt the inner squares with a long stitch, using 2 strands of a variety of embroidery threads.  I'm staying with the color of the two rectangles that make up the inner square, but choosing for some contrast in value.  (Click on the photo to see this larger.)

I'm enjoying spending the extra time with the quilt, having the chance to look closely at every square.

Top complete

I finished piecing the top today.  I wanted to give some close-up photos, to show the range of colors in the shot cottons.  They are really beautiful.

And the whole top:

Some sources for shot cotton:

I bought my fabric from Glorious Colour, $9.50/yd, 71 colors, also available in sets, with a new full set coming out late in 2012.  Also stripes.

Other sources carry the fabric also, but either less of a selection or a higher price:

Hancock's of Paducah, $8.98/yd, 19 colors

Portsmouth Fabric, $9.95/yd, 50 colors and a few stripes

Purl Soho, $10.60/yd, 56 colors

Playing with value and color

A couple of years ago, I made a baby quilt from a pattern called "Spectrum" by Judy Turner, from her book with Margaret Rolfe, Successful Scrap Quilts from Simple Rectangles.

I really enjoyed making this quilt, for which I used a range of shot cottons.  It was both relaxing and engaging to make the choices of color and value.  The quilt is made up of many rectangles, all cut 2"x3.5".  They are arranged into squares, with either two light rectangles as the center, or two dark.  My sister liked the quilt as well, and I agreed to make a larger one for her.  She stood me to a collection of about 50 1/4-yard cuts of shot cotton, out of which I am getting a lap-quilt for her, and something else for me as well.  It was a great treat to get this huge variety of shot cotton.  I ordered it from http://www.gloriouscolor.com/, but they don't seem to have this big collection anymore.  Anyway, the blocks at the top of the page are the ones I've just finished up for my sister's quilt; I've been working on the blocks on and off for about five months--a nice project to have on the side, doing a few blocks when I need a break from something else.

When I had all the blocks done, I separated them into two piles, light and dark centers, and then just put them up on the design wall in the order of the pile.  Every once in a while, if I noticed two in my hand that looked too similar, I chose another in the pile, but that's it.  I expected to then do a lot of tweaking, moving blocks around to get a good arrangement of color and value.  But I think I might leave it just as it is!  I could tweak endlessly, but this is pleasing now, so maybe I can restrain myself and leave it alone.

I also checked the value distribution by taking the photo in black and white as well.  Digital cameras are a real boon to quilters! 

Even without black and white, looking at the photo in the camera--where it is much reduced in size--helps one see value distribution.

Alternating easy and difficult

Writing my last post about ten days ago was very helpful to me. The realization that I didn't have to think about April as a deadline for finishing Shelter gave me permission to enjoy simpler piecing projects without feeling they were a distraction from the larger work. I started up a routine that has been very productive as well as satisfying. I would "warm up" by laying out and piecing together a few blocks of the "Spectrum" quilt, and then I would move over to Shelter. To help me focus on the more difficult work, but not get overwhelmed or discouraged, I decided to limit a stint on Shelter to the length of a CD--about 40 minutes. (I generally listen to instrumental only for work that takes mental concentration--quiet jazz or solo guitar.) Alternating back and forth (though generally not doing more than one or two stretches on Shelter in any one day) has had significant results. The finished Spectrum quilt above, quilted and washed. This is 36x36. I really enjoyed making this quilt, and I think I'll do this pattern again. Below you can see the quilting a little better, along with the back. (As always, you can click on the photo to see a larger image.) I would have liked to handquilt this one--the shot cotton is so soft that the machine quilting seems crude--but I wanted to get this one out to its young recipient.

With the Spectrum quilt done, I wanted to find something else really simple, to keep up the alternation. I've had the "Turning Twenty" pattern in my drawer for a long time, and decided to adapt it for a crib quilt. I down-sized it by 50%, and ended up with this little quilt, 36x44, made from small pieces in my stash. I like Spectrum better, but it was satisfying to use up fabric that I have on hand, and this pattern is adaptable for a wide range of fabrics.

OK, enough on the easy stuff. Here's what happened with Shelter. The next photo gives you a bit of an idea of how I lay out strata, and then have to cut away what's underneath before basting the pieces onto the stabilizer.


Once I get a section set, I baste it all together. I'm putting off the final applique until I'm sure of the composition. With it only basted, it is easy to add something in later.

Today I finished basting up the turquoise tier. I've pinned it up above the blue tier on the design wall, roughly turning under the edges to get a sense of how they'll look when they're pieced together. The piece is now about 60" wide. It will be taller once the black and then orange-red tiers are added.

(For a post that shows all four colors, and that explains the origin of this quilt, click here.)