Appliqué decisions

Here's the decision I made about the colors for the narrow inner border and the applique, incorporating helpful suggestions from Cookie and from Mary Beth. I knew I wanted to include more red/orange somewhere, and kept trying it in the applique flowers, but Mary Beth's idea to go more monochromatic in the applique (so as not to compete with the center of the quilt) led me to move the red to the inner border (Cookie's preference). I wanted more variation than all dark blue for the applique border, so tried out medium blue flowers with everything else darker blue. I'm happy with this. Except that even with visits to two quilt stores, I didn't find a medium blue that I'm entirely satisfied with; I only have a few scraps of the fabric from the one medium blue block. I think I will hold off on cutting the shapes until I have a chance to try another store or two. This will hold things up, but I'd rather wait and get the color right. Oh, the other helpful suggestion from Mary Beth: "Is it for yourself? If so, please yourself!" Yes, I've decided to keep this for myself, and choosing so that I like it is, indeed, easier than choosing "what is best."

When putting the blocks together for the quilt, I had a couple of extra blocks. One I was happy to just put aside, as it wasn't a very interesting or appealing pattern. But the one below didn't belong for a different reason--the pattern was too different in style. But definitely a keeper. So, I decided to make it into a small wall-hanging, just adding a narrow inner border and a wider grey border.

I think I'll hand-quilt this, as well as the larger quilt. If you like this pattern, check out Garden City Gateworks--it's one of theirs.

And some knitting too

I made a decision on the colors for the inner border for the appliqué quilt (red/orange) and for the colors within the border (medium blue and dark blue)—thanks to Mary Beth for helping me figure this out! I'll put up a photo once I've gotten some of the appliqué basted on the border. I didn't have enough of the red/orange and medium blue batik, so I went over to Peoria yesterday to get some more fabric. The quilt store in Morton is next door to an excellent yarn shop, Ewe-Nique yarns. I went in just to look around, but ended up spending an hour there and came out with two new projects. This store has a lot of samples knitted up, so you can see how things will come out, which is really helpful. I've knit since I was a child, and always have something on needles, but I stopped knitting garments (other than sweaters for babies) a while back, as I was so often disappointed with the final results. The sweater might look just like the pattern, but it didn't look good on me. I hadn't though of knitting a scarf, since I have plenty of good ones for winter, but they had a sample in the store like the one above. It's just 5" wide, and meant as an accessory—like one would wear a silk scarf—rather than to be worn with a coat. The yarn is lovely—50% silk and 50% mohair, Silk Rhapsody by Art Yarns. The lace pattern is simple enough that I was able knit it when watching a movie with subtitles last night.

I also was able to try on the sweater made from this pattern, and bought some black tweed yarn for it.

So, I've now gotten myself into the same situation with knitting that I have with quilting—multiple projects in the works at once. For knitting, the multiplicity is handled mainly by situation/location. A simple garter stitch baby blanket during meetings at work, a complicated afghan pattern for train rides, and now the lacy scarf for watching movies, or to pass 5 minutes of time here and there. I won't start the sweater pattern until I finish the scarf--or at least that is my current intention. . .

Applique trials for border

I found a pattern in a book about stenciling that I think will work well in the border of this quilt--it is similar to some of the shapes in the applique, but doesn't duplicate any of them exactly. But what colors to use? My first trial is above, all in dark blue. I'd like to get in some of the other colors, though--rusty red, lighter blue, dark green. I spent the morning today cutting out shapes in various colors and trying them out. Here are a couple of options with a view of the whole quilt; then I'll show some close-ups.

This one alternates red and blue in the flower shapes and uses green for the leafy shapes on the outside.

This one puts the red flowers on the outside and blue in the center. I also tried out a solid curvy line down the middle rather than the broken line, which was determined by the stencil-nature of the original pattern. I think the broken line works better for the quilt as well.

There's also the question of the color of the inner border. On all the photos above, you can see a dark blue inner border at the top and a red/orange border at the bottom. I haven't made a choice yet.

I also don't have to have the colors in the applique panels the same for each iteration; it could be a more random scatter. There are many, many, possibilities. It's good to do trials like this, but it would be helpful if I could figure out a choice by using design principles. It's the multitude of choices like this that led me to the FunQuilts Design Camp in 2005.

Beyond the colors, there will be one more decision. Will I center just one of these panels in each of the four borders, or will I repeat the panel a number of times on each side? Three panels would fit on a side, so I may just start with one in the middle and see what I think when that's done.

Here are closer shots of a number of trials. I'm going to wait a while to decide. If you have a preference--or you can help me with thinking it through in terms of design principle--do let me know! (Sorry for the long "list" of photos--I need to learn how to make a table in Blogger so I can show things like this side by side.)

Sawtooth border added to appliqué quilt

I spent a satisfying day sewing yesterday, adding a sawtooth border to my appliqué quilt.  The colored triangles are mostly the very dark blue that predominates in the appliqué, but I also used a smaller number made from the other colors—green, light blue, brown, and orange/red (more visible in detail below).  The next step will be a 6" border, repeating the light gray background with some kind of appliqué design.  So, the next step is to figure out a border design that will work with the variety of motifs in the squares.

Machine stitching a binding

This Saturday I got together with several quilting friends from the Chicago area for a day of showing our work recently completed or in progress.  We had a great time sharing ideas and getting feedback on our work.  The issue of machine stitching binding came up, and I mentioned that I'd been helped by some online tutorials.  I thought I'd share the list here, in case anyone else is interested too.  I've listed a number of tutorials below--one video, the rest photos and text.  How is it I have ready access to a list like this?  They're all things I've saved as I've come across them to "tada lists"--a nifty site for saving lists of one sort of another.  I searched for the term "binding" in my list for tutorials, and easily found what I was looking for.  If you're curious to see what other tutorials I've collected, you can see my full list at: http://pgold45.tadalist.com/lists/1291659

Start by sewing binding to front

sew binding to front, pin binding all around and sew in the ditch for a straight-stitch finish on the back--Judy Laquidara (video tutorial—very clear)

http://www.patchworktimes.com/2009/06/05/binding-vide/

same method from Melody Johnson:

http://fibermania.blogspot.com/2010/03/binding-tutorial-1.html

and from Rita of Red Pepper Quilts (she pins a little differently; very clear instructions—scroll down some to get to this final part of the binding instructions)

http://www.redpepperquilts.com/2009/11/binding-tutorial.html

Marny & Jill do something very similar, using clips instead of pins to secure the binding, and using an edge-joining foot):

http://modernquiltrelish.blogspot.com/2010/08/binding-business.html

Start by sewing binding to back

sew binding to back, finish on front with a narrow zig-zag stitch (Wanda Hanson).  Mary Beth Clark sometimes uses this method, often using a machine blanket stitch.  This method shows more on the front, but can be done without pinning, and without any worry about catching the binding on the back.

http://exuberantcolor.blogspot.com/2009/12/flannel-quilt-done-in-time-for.html

Big Dots Done

 (about 36 x 42")

I'm pleased with the finished quilt!  I had fun with the machine quilting of this one.  I quilted the dots first, with several different patterns used.  Then I came up with an overall design for quilting the background that I'm very happy with.  My favorite design in the dots is this "Flower Ball" design from Leah Day.

The light blue dot below has another Leah Day design: "Stomach Lining." Thee rusty red dot has a maze, and the olive green dot has a lily pad design.

Next: The final design I used in the dots is a bunch of spirals, below in the light blue.  The background design is a maze (like in the navy blue dot below), but with the occasional curved line thrown in.  That made it more interesting to do, and I like the look, too.  Double-click on the image for a better view.

And here's the back, a piece of snow-dyed cotton I did last winter. 

While I am very happy with the quilt as it turned out, I wouldn't do this design again--turns out I didn't enjoy working with circles so much.  I thought I'd try a different placement from that suggested in the pattern (dots spread equally around), but I couldn't come up with anything.  I also found it quite difficult to find a pleasing arrangement with the equal spacing--not as simple as it looks!  I think I'll try something similar in another quilt, but use rectangles rather than circles. 

About my final choice for the machine applique technique:  Thanks for all the comments and suggestions!  I was about to implement Judi's suggestion of a line of straight stitching close to the edge, which looked very nice on a sample, when I saw a tip in a recent issue of American Patchwork and Quilting, suggesting a very narrow zig zag stitch.  You can see the comparison of these two below (double-click).  I went for narrow zig zag in the end.  (The tiny holes in the cloth below the zig zag are from where I ripped out the straight stitching to try the different stitch.)

A little about thread for the quilting geeks among you:  For quilting the dots, I had on hand suitable colors of my favorite thread for both piecing and quilting, Aurifil cotton, 50 weight.  But I didn't have any that would work for the background.  So I tried a new thread that I had picked up several months ago in Chicago; I had purchased a set of six small spools of 100 weight polyester thread.  The pale apricot color quilted up very nicely (used on top and in the bobbin).  It's WonderFil Invisafil thread, should you be interested.  Almost transparent because of how thin it is (almost like silk), but with color.

And some disappointment in the finale:  I just took the quilt out of the dryer.  One of the fabrics (navy blue) I used for the dots was not my own hand-dyed; can't remember where I got it.  It bled badly in the wash.  I guess I'll try washing again with a Shout Color Catcher sheet, but it's undoubtedly too late.  I should have thought of that when I threw it in the washer!  I was so confident about my own fabrics (all the rest), that I forgot about the other.  Here's a close-up.

And the whole quilt.  Not entirely ruined, but marred.  Sigh.

A new project: Big Dots

Finally, I've carved out a day at home to sew.  I'm treating myself with beginning a new project, a baby quilt that will be called for next month.  I'm going to do "Big Dots" from Quilts Made Modern, a new book by Weeks Ringle and Bill Kerr of FunQuilts.  The quilt will be about 20 big circles appliqued onto a solid field.  I decided to use some of the hand-dyed fabric I made up this summer for the dots (rust to navy above), but I didn't have a large piece of an appropriate color for the field.  I decided to dye up a new piece for this, choosing a pale peachy orange from the sample book from Carol Soderlund's class.  I was dubious about whether this would work, because one is always told that dye needs 70 degrees or warmer to bond with the fabric, and I don't keep my house that warm.  Some people warm up the container by putting it on a heating pad, but I didn't want to bother with that.  Frieda Anderson, who taught at my local guild in October, had encouraged me not to worry about the temperature--she dyes through the winter in her basement, which is definitely not 70 degrees.  So I went ahead and tried it out, and it worked beautifully.  The resulting color is perhaps a slight bit paler than the sample I was aiming for, but that's perfectly fine for this project.  Success!

The directions for this project recommend machine applique for the dots (about 7" and 9" in diameter).  I've always done needle-turn hand applique before, but decided to challenge myself and learn the technique recommended in the book, which involves using freezer paper templates, basting around the edge and pulling the thread ends to turn under the edge, and then using  zig-zag stitch on the machine to sew the dot to the field. The "freezer paper and pull-the-thread" technique is quite nifty, and gives a really smooth edge. Here's a sample I did with some other fabrics. 

I tried two different machine stitches.  To the left of the arrow is a blind-hem stitch; to the right is a narrow zig zag.

I'm not sure which I prefer.  The zigzag lays a little flatter, but the blind stitch is less visible (except for that run of stitches around the outside of the circle).  Of course I could make it really invisible by switching to hand-stitching.  Any advice on which you think looks better?  I'll also be machine stitching the quilt once it's put together, so that will be another layer of stitching.