Here are the results of a week of fabric dyeing, six separate sessions and about 40 half-yard pieces of fabric. I'm pleased with the results--both in the fabric created and in the figuring out of a personal routine for the process of dyeing. I've had enough success to feel confident about doing more, and I usually understand why one or another piece missed the mark.My main focus was to create fabric for a quilt version of a pastel piece I did a couple of years ago at a mixed-media workshop at Arrowmont (each rectangle is a 9x12 piece of pastel paper, covered with layers of pastel):
(More on this workshop and other non-quilt work produced there in this post, on another blog I contribute to.) Here are the fabrics most likely to go into the quilted version, two different shots:
I think I'm going to try one version using the fabric just as it is, and then another version in which I add painted layers to the rectangles, to get more variation in hue/value across each piece.Along the way, I also created the beginning of a stash of hand-dyes for further quilts in the "Pine Grove" palette, which is close to the landscape palette, but more far-reaching. So, happily, virtually everything that is rejected for the landscape project can be included in the pine grove pile. Almost all of these landscape and pine grove fabric pieces are flat-dyed solid (as explained in the previous post). I also did three pieces of grey mottled fabric in a value parfait (according to Ann Johnston's instructions in Color by Accident), intended as fabric for stones:
And I tested out a couple of small pieces of linen (flat-dyed solid) to use as background for appliqued stones. (Double-click to enlarge, so you can see the texture here--quite nice!)
Now I plan to take a week off from dyeing. I'd like to cut rectangles for the landscape quilt, to see if I need other greens, and I'll also select further colors for the pine grove palette, adding in a variety of teals, some bronze-reds, and more gold.
