The quilt above (about 17x17") is a version of Frieda's "Laughing Leaves" quilt. I'm more interested in geometric shapes than organic, so I put in squares and rectangles instead of leaves. You can see the obvious influence of Melody Johnson's work as well, another member of the "Chicago School of Fusing." Below is a detail of the quilt. Click on any of the photos for an enlarged view that will allow you to see the stitching. Following Frieda, I've stitched "in the ditch" around each design element. This is for the sake of appearance only; the fusing alone holds down the pieces. This is fine for wall pieces; if you put a fused quilt through the wash, the pieces would stay fused down, but the edges would fray.
October 29, 2010
Fusing with Frieda Anderson
The quilt above (about 17x17") is a version of Frieda's "Laughing Leaves" quilt. I'm more interested in geometric shapes than organic, so I put in squares and rectangles instead of leaves. You can see the obvious influence of Melody Johnson's work as well, another member of the "Chicago School of Fusing." Below is a detail of the quilt. Click on any of the photos for an enlarged view that will allow you to see the stitching. Following Frieda, I've stitched "in the ditch" around each design element. This is for the sake of appearance only; the fusing alone holds down the pieces. This is fine for wall pieces; if you put a fused quilt through the wash, the pieces would stay fused down, but the edges would fray.
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Penny -
ReplyDeleteThese are beautiful! All the better that they are quick to piece together.
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Yes, it's not often that I finish a quilt in the week just after a workshop!
ReplyDeleteI like the compositions on these, Penny. Is this some of the fabric you've dyed - it's very luscious!
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