If Only: A Wedding Quilt for Jeremy, 61 x 92", hand-dyed cotton |
The next photo shows the back of the quilt. if you click on the photo, you can enlarge it, and you'll be able to see the very simple straight-stitch quilting I did in the ditch, across at each row, and then shorter vertical lines where I could stitch between blocks. From the front, you don't really see the quilting, which is how I wanted it. (The shadowy lines in the back are just the variation in color in the hand-dyed fabric.)
Another detail of the quilt, below. Almost all the small quadrilateral shapes are bright or light colors, but I did include a few black shapes. They needed to be in there too.
The quilt now hangs at the foot of the stairs, close to the front door (off to the left of the photo below).
For the last several years, "Shelter" has hung in that spot. We've now moved it around the corner to the den. The drawing to the left is by Mark Holmes. I like the conversation of the black shapes.
It is good to have both these quilts in places where we will see them every day; "Holiness" is also hung upstairs. It's part of keeping Jeremy with us. It's a comfort to have these and other physical reminders. The small things Jeremy made in wood and metal shop that are still in use. The tiny sapphire earrings that David and I both wear every day in his memory. An item or two of Jeremy's clothing that I wear. And of course, the extended process of making these quilts is itself a way of keeping him present in my life. Other quilts in the series stay put away in a suitcase, the quilts that center on pain, loss, guilt: Loss, Regret, Self-Portrait, Accident, Accident II. I am glad to have exhibited these quilts, but they are too painful to have on view at home.
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Some day I may do a spin-off of the wedding quilt. Back in February, I had finished the top, and happened to hold it up in front of a window when I was folding it. The piece was beautiful with light coming through. I then pinned it onto a curtain rod, to see how it would look if hung that way.
We have some large windows in the house, and I was tempted to finish it to hang this way. But it wouldn't take long for light to fade and weaken the fabric, so I continued with the original plan to hang it on a wall. But maybe someday I'll make a smaller piece in the same style and wrap it around a frame that could be hung in a window from time to time.
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Finally, for my own use (and yours if you'd like a look back), here's a list of posts about this quilt:Feb. 17, 2020: Quilting decision made
January 25, 2020: Top completed
August 11, 2019: Editing the composition
May 25, 2019: Back in the studio
Feb. 16, 2019: Steady progress
Feb. 5, 2019: One block at a time
Feb. 4, 2019: A wedding quilt for Jeremy (describes the design process)
Truly a labor of love and it looks magnificent by the door. Glad you tore out the ripples quilting. It is beautiful and the thoughts that went into makin it make it special. I love Holiness, maybe the best.
ReplyDeleteSo beautiful, Penny. And with the light behind it looks like stained glass. Selfishly I am glad you posted a bit about rippling. I have been struggling with this issue myself.
ReplyDeleteWill send a separate email as I have been thinking about you.
You found a perfect place to see Jeremy's quilt every day. Looking back at the series of quilts, I'm once again moved by the emotions they evoke, the beauty of the compositions and the craft. I'm so glad you had quilting as a life raft for this journey... and that you've shared your journey with us on this blog.
ReplyDeleteBeautiful and fitting.
ReplyDeleteI hope that seeing Jeremy's beautiful wedding quilt each morning will be a lovely way to start your day.
ReplyDeleteThe finished quilt is even more beautiful than I imagined it would be, Penny. And I love that you posted a photo of where it hangs in your house -- makes me long even more for the day when this virus is put to rest and we can visit again! Until then, sending many virtual hugs.
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