Table runner-rectangular appliqué

I like to have handwork with me when I travel. I put together these simple blocks, playing with solids and scraps of batik. I intended to make a baby quilt, but I'm having too much pain in my hand from doing applique, so I called it quits and made a table runner (12 x 32"), which I'm quite happy with. I cut the batik rectangles by hand, and I like the way some sides are a little curvy, and angles are not necessarily 90 degrees. It's also a satisfying way to use up bits of fabric on hand. I'm going to try out some methods of machine applique, and perhaps do more of these blocks, but eliminating the hand sewing.

I tried out various fabrics for binding, and like this one that has both lavendar and gray in it; not a fabric that appears in the blocks, but it ties things together nicely. (Click on any of the photos for a larger view.)

When putting together the blocks, I just paid attention to the color of the solid background and the colors and shapes of the two rectangles on that particular block. Then, when putting together the table runner, I moved the blocks around until I found something pleasing. If I do this again, I think I would try laying out the solid blocks, and then laying out the rectangles on top. More work up front, but a more direct way to the composition.

Again, I did just the straight-line quilting, about 5/8" apart. Done!

Pine Grove/Stones

The making of this quilt goes back more than two years. Here's the story of the front.
And some details:

Both top and back have been finished for close to two years, but then I couldn't decide how to quilt it. I considered many different approaches. After finishing the simple straight line quilting a few weeks ago on the half-square triangle "Magenta and Friends," I realized something that simple would also be a good solution for this quilt. It took me a while, but I think this was a good decision!

Here's the back of the quilt. I had to line up the quilting by the seams on the front of the quilt, and I was worried about how they then wouldn't line up precisely on the back. They don't, but it still looks fine.

More of the story about the back continues here.

Some details: First, one of the blocks from the very beginning:

And here's an example of the larger stones sliced up--this may be my favorite spot in the quilt:

Here's another small quilt that involved cutting up stones.

This quilt is going to my brother, a potter. He has made beautiful ceramic stones.

And here are a few of his wood-fired pots:

I will miss this quilt, but I know it is going to a good home!

Half-square Triangle with Magenta & Friends--done!

I'm very happy with this finished quilt (38x44). My hand-dyed fabric, quilted with a teal Invisafil thread, a very thin polyester thread that sinks nicely into the fabric. I quilted this simply with parallel lines, following the example from SewKatieDid. I ended up putting the lines vertical instead of horizontal, because I made a back that was large horizontal stripes, and I didn't want to worry about horizontal quilting lines not matching up on the back.

For the back, I used fabric that came out poorly, with water spots, because of my not taking care with the flat-dyeing method. But hey, they look OK on the back.

The binding: I basted four different colors on the quilt, trying to decide which one to use. My husband David suggested I use all four. Good idea!

I was thinking I would give this quilt away as a baby quilt, but I think I'll keep it as a wall hanging for myself. I find the colors very appealing, as well as the combination of structure and randomness.

Finishing up slanty rail fence

I recently finished up a small quilt (36x36) that I started a while back, something fun to piece to take a break from a large piece I was quilting. This small quilt was done from scraps of solid fabric that I had on hand. I am pleased with the color work here. Though it may look like a huge range of virtually all colors, it actually took some significant selection, which I was able to do without agonizing. I couldn't have done that a couple of years ago--nice to feel the progress in working with color.

Quilting is still a big challenge. I did many samples on extra, individual blocks before deciding on a simple wavy line through each "slice." I'm fairly pleased with this, both in terms of ease of sewing and in the final look.

Here's the back of the quilt. I first made a simple line-up of fat slices that went across the whole back, but that arrangement looked boring. So I cut it into four pieces, moved the pieces around, and came up with this. I like it.

The quilting on the back looks like fat noodles:

Working with large-scale prints

This is a quilt I finished recently. I was interested in using some large-scale prints, not something I'd not done much of before. I used a very simple pattern of rectangles to show off the prints--"Carousel," by Kim Shaefer, Cozy Modern Quilts (C& T, 2009). I'm pleased with how this turned out.

This detail shows the two different fabrics I used for the binding; I had assumed I would use green, but the light teal looked much better. The very nice quilting was done by Mary Walck, a long-arm quilter in Galesburg.

And here's the back--most of it a large piece of sage-colored Kona cotton that I over-dyed with greens and brown, and then an extra piece of hand-dyed yellow-green to complete the back.

Working with magenta and friends

I had a stretch of four full days of quilting with friends in the Chicago area, and was able to work from start to finish on a half-square triangle quilt top like this one by Katie of "Sew Katie Did." Since not all my fabric dyed up well enough to use, and because I wasn't sure how the quilt would look in such a different color palette, I just made a small baby quilt (38x44). I'm pleased with how it turned out. I love the quiet palette Katie used for her quilt, but I think the format works well with these highly contrasting bright colors with black as well. I was also pleasantly surprised that the improvised placement of the triangles went very quickly. I made squares of each color with each color, and then I just started putting them up on the design wall. After placing all the squares, I spent perhaps another 10 minutes or so making small adjustments, and that was it. It helped that a couple of the other quilters took a look also, and confirmed that the arrangement was fine. I think if I'd been by myself at home, I might have kept fine-tuning longer.

Back from the retreat, I'm finishing up some projects. First to be done is this quilt, made a year ago with my friend Kay, when she was visiting me from Boston. We made the blocks together, and then I did the quilting some months ago. But what color binding to use? I saw Kay last weekend, and she decided on red. I think it looks great!

Dyeing a new palette: Magenta and friends

Last summer I dyed fabric in what I think of as my "pine grove" palette. I was very pleased with the results. Not only did I get the colors I wanted (thanks to the workshop I did with Carol Soderlund), but I also got a very nice solid using the flat-dyeing technique of Robin Ferrier. But this time I cut a couple of corners, and much of the fabric is mottled with water spots:

Well, now I know more about what I need to do to get the look I want!

This palette originates from a small piece I did a few years ago with commercial fabrics:

Then I saw a concert by Sweet Honey in the Rock, and they were wearing costumes in these colors, but with green and orange added in. Even better! I bought Kona cotton in these colors and did a couple of small pieces, including this one:

I don't have a photo of the finished quilt, but here's a close-up of some of the quilting I did:

So, I'd like to have a stock of these colors in hand-dyed fabric. For a first project, I'm thinking of a half-square triangle quilt like this one by Katie of "Sew Katie Did."