January 12, 2010
Shelter--a preview of the whole
January 9, 2010
Zig Zag quilts
Here's the top before cutting off the extra points all around. Looking at the top 2 rows shows how it is made up of blocks constructed from two rectangles. (These are cut 3 x 5.5".)
And a close-up to see how the rectangles turn into zig-zags. The key is turning the blocks on point. (The colors are truer on the close up shots--bright pastels. The fabrics are from Funquilts.)Here's another I made--actually the first, as it follows the tutorial, alternating the same solid fabric between patterned rows. Makes the cutting a little easier, but I like all patterned better, though this will look better once the binding is on. I'm thinking to do another one with all solids, bright colors, each row different.
The quilt is very easy to put together. On my second one I got careless, though, when I went to cut off the triangles on the first edge, and angled the cut into the second row. I was tempted to make the whole quilt smaller, but I took the high road--undid some blocks, made up substitute ones and pieced it all back together.December 28, 2009
And a little handquilting
This is a small quilt, 20x28--a nice size to hang on a door. You can click on the image to enlarge it for a better view of the quilting. Here's a detail of the colored rectangles; the thread is YLI silk 1000 denier.
This is one of a pair of small quilts, in which I was playing with magenta and its friends. Here's the other.Construction of the orange-red tier of shelter is coming along quite well. Another couple of days of piecing and I should have enough strata for this section.
December 24, 2009
Genealogy of a Quilt-2
December 13, 2009
Turquoise scraps
December 6, 2009
Alternating easy and difficult
Writing my last post about ten days ago was very helpful to me. The realization that I didn't have to think about April as a deadline for finishing Shelter gave me permission to enjoy simpler piecing projects without feeling they were a distraction from the larger work. I started up a routine that has been very productive as well as satisfying. I would "warm up" by laying out and piecing together a few blocks of the "Spectrum" quilt, and then I would move over to Shelter. To help me focus on the more difficult work, but not get overwhelmed or discouraged, I decided to limit a stint on Shelter to the length of a CD--about 40 minutes. (I generally listen to instrumental only for work that takes mental concentration--quiet jazz or solo guitar.) Alternating back and forth (though generally not doing more than one or two stretches on Shelter in any one day) has had significant results. The finished Spectrum quilt above, quilted and washed. This is 36x36. I really enjoyed making this quilt, and I think I'll do this pattern again. Below you can see the quilting a little better, along with the back. (As always, you can click on the photo to see a larger image.) I would have liked to handquilt this one--the shot cotton is so soft that the machine quilting seems crude--but I wanted to get this one out to its young recipient.
OK, enough on the easy stuff. Here's what happened with Shelter. The next photo gives you a bit of an idea of how I lay out strata, and then have to cut away what's underneath before basting the pieces onto the stabilizer.Once I get a section set, I baste it all together. I'm putting off the final applique until I'm sure of the composition. With it only basted, it is easy to add something in later.
November 24, 2009
Deadlines
In my work life, I often am working towards a deadline. On a day to day basis, it's the deadline of preparing for class, or getting graded work back to students. When I was doing scholarship, I would figure out deadlines that would help me get the work done. In the early stages of a project it would be finishing a paper to be delivered at a conference; further on it would be the book deadlines supplied by the publisher. I know how helpful it is to have a deadline to get work done. But when I stopped doing scholarship, and quilting took up that space in my life, I self-consciously eliminated the deadlines. For the bigger art pieces, the ones that are deeply personal, I wanted to just go at whatever pace developed, settling into the piece and the experience of putting it together. That's been a good thing. But now I have a self-imposed deadline approaching on "Shelter." I scheduled myself to give a talk in late April on my turn from scholarship to quilting, and I would like to have Shelter done in time for that talk. When I first committed myself to this date six months ago, it seemed so far away and so reasonable that it hardly counted as a deadline. But now it's getting closer, and I will need to pick up the pace to get it done. Partly this is good: this piece is very challenging, and I can use a little nudge. But I also don't want to feel rushed. I also don't want to feel guilty if I spend time working on smaller things--just piecing for the fun of putting colors and shapes together, or to work up some gifts. OK, I've just decided: If Shelter can be finished by April, that will be good, but if not, I can show it as a work in progress, and that will be OK too. I need the pressure off.
So I can enjoy little things like this, some sample blocks for the pattern "Spectrum" by Judy Taylor:

taken from her book, Successful Scrap Quilts (this quilt is on the cover). I don't have any baby quilts on hand for gifts, and suddenly there's a baby just arrived and another on the way. I think this pattern will work up nicely with the array of shot cottons that I have on hand.
I also just finished up some octagonal placemats for my sister--a good shape for a round table. The large black one with the pieced stripe is a centerpiece; the placemats themselves are each just one fabric. The placemats were useful for practicing my ever-rusty machine quilting.
And suddenly it's almost December and I haven't contributed a quilt all year to my guild's charity project (quilts for local social service agencies to distribute to foster children), so I worked this up quickly from a panel with numbers.
I used this quilt for some more free-motion quilting practice. I had fun with the "Dresden Daisy" design from the "365 Days of Free Motion Quilting blog," alternating it with squared off spirals in the number squares.
The "365 Days" blog by Leah Day has helpful video tutorials for all the designs.
So, I'll let my "Shelter" deadline help move me along, but will also enjoy keeping up with "Spectrum" and other small projects, letting myself be satisfied with however far I get on the larger work. . .
So I can enjoy little things like this, some sample blocks for the pattern "Spectrum" by Judy Taylor:
taken from her book, Successful Scrap Quilts (this quilt is on the cover). I don't have any baby quilts on hand for gifts, and suddenly there's a baby just arrived and another on the way. I think this pattern will work up nicely with the array of shot cottons that I have on hand.
I also just finished up some octagonal placemats for my sister--a good shape for a round table. The large black one with the pieced stripe is a centerpiece; the placemats themselves are each just one fabric. The placemats were useful for practicing my ever-rusty machine quilting.
So, I'll let my "Shelter" deadline help move me along, but will also enjoy keeping up with "Spectrum" and other small projects, letting myself be satisfied with however far I get on the larger work. . .
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